Hold the forceps, clear the birthing pool, and cue the laugh track: comedian-writer Jessica Knappett has officially delivered a brand-new sitcom for BBC One. Titled Push, the show is set in the chaotic world of a rural maternity ward, where midwives juggle miracle-making with NHS-grade chaos – and somehow still find time for gossip and caffeine.

What’s it about? Picture a scruffy, underfunded maternity unit in West Yorkshire. The staff are knackered, the building’s falling apart, and the miracle of birth happens roughly every 20 minutes. Yet despite the madness, this is a story about the people who keep it all running – delivering babies by day, cracking jokes by night, and occasionally taking a disco nap in the sluice room.

According to the BBC, Push is “a laugh out loud celebration of the chaotic, high-stakes reality of pulling off a miracle several times a day. It’s blood, sweat and (third degree) tears.” So yes, there will be bodily fluids. And yes, it’s still a comedy.

Knappett – best known for creating Drifters and cracking up the Taskmaster panel – is stepping into the role of creator and showrunner. She says the idea for Push came after her own real-life childbirth experiences: “Ever since I gave birth to my own children, I knew I wanted to birth a show about midwives. Thankfully this process has been a lot less painful and I didn’t need stitches.”

The show is the first commission to come out of the BBC’s Comedy Sitcom Initiative – a project launched to revive the classic workplace sitcom with fresh voices and original stories. Of six writers’ rooms funded, Knappett’s idea was first out of the (birthing) pool. It’s being produced by Various Artists Ltd, the company behind other BBC comedies like Such Brave Girls and Spent.

The first series of Push will consist of six 30-minute episodes, airing on BBC One and iPlayer. Casting is still under wraps and there’s no broadcast date yet, but filming is expected to begin in 2025.

In a rare moment of candour, BBC execs admitted they’ve “been looking for a high-joke-rate workplace comedy for a while now” – and it seems Push has delivered.

So if you’re into scrubs, sarcasm and the screaming miracle of life, keep an eye out for Push. It promises to be the kind of sitcom that balances heart, humour, and the odd haemorrhage.

Hold onto your sat‑navs and tightly-fastened rucksacks — our favourite four social outcasts might be returning to screens. Yep, The Inbetweeners is being lined up for a comeback, as creators Iain Morris and Damon Beesley have signed a new production deal that “paves the way” for more adventures with Will, Simon, Jay and Neil.

The deal, struck through their company Fudge Park and backed by production giant Banijay UK, opens the door for a return across TV, film, or even stage formats. So whether it’s Will awkwardly teaching in a classroom or Jay running a motivational speaking tour for bus wankers, it’s all technically on the table.

And there’s more: the original cast — Simon Bird, Joe Thomas, James Buckley and Blake Harrison — are reportedly on board with the idea. Joe Thomas has said they’re still in each other’s lives and would be keen if the right project came along. So yes, the band’s still together.

The original series aired from 2008 to 2010 and became a cult hit, later spawning two films in 2011 and 2014. A full decade later, in an era dominated by nostalgia-fuelled reboots, it seems the time is ripe for a new spin — if they can figure out how to do it.

Here’s the snag: no one’s confirmed how the show will come back. And with the original cast now firmly in their late 30s, there’s little chance of them convincingly squeezing back into school uniforms. Even Simon Bird joked that no one would buy them as teenagers now, and a reunion could end up feeling more “depressing” than nostalgic.

Still, if the creators embrace the gang as chaotic, barely-functioning adults rather than try to recreate teenage chaos, there’s real comedy potential. Imagine Will navigating middle management, Jay still lying about his love life, Simon battling co-parenting drama, and Neil… still being Neil. Done right, it could be comedy gold. Done wrong, it could be another “reunion special” best left forgotten.

Conclusion

The Inbetweeners might be returning thanks to a new deal, with the original cast interested. Format still unknown, expectations sky-high, and nostalgia levels through the roof. Proceed with cautious optimism — and maybe don’t dig out your briefcase just yet.

Imagine your favourite stand-up comics trading in punchlines for powerbombs — yes, really — because that’s exactly what Clash Of The Comics is about to deliver. This gloriously unhinged hybrid of comedy and wrestling is set to air as a 160-minute special on U and U&Dave, bringing chaos from the ring straight to your sofa.

The show, originally conceived as The Wrestling and performed live at the Edinburgh Fringe, was created by comedy duo Max & Ivan. It’s a no-holds-barred (but very scripted) showdown where comedians transform into wrestlers, complete with rivalries, backstories, ridiculous costumes, and more drama than a group chat on a hen do.

Recorded on 8 October 2025 at the Hammersmith Apollo, the event features a jam-packed card of comedians and pro wrestlers grappling for glory, dignity, and possibly a chance to go viral on TikTok.

At the top of the bill: Ed “The Gambler” Gamble vs. Phil “Kill” Wang, facing off over a championship belt and a long-simmering grudge that definitely isn’t just an elaborate in-joke. James Acaster, never one to be left out of a good existential crisis or physical challenge, has issued an “open challenge” to anyone brave enough to meet him in the ring. Presumably, that includes other comics, actual wrestlers, or possibly the inner demons he’s been taunting for years.

Elsewhere, Maisie Adam is set to battle professional wrestler Nina Samuels, which feels a bit like bringing a well-crafted anecdote to a suplex fight — but this is Clash Of The Comics, and logic checked out at the door.

The event also features appearances from Rosie Jones, Ania Magliano, Abi Clarke, Amy Gledhill, Sarah Keyworth, Max Fosh, Mark Silcox, and of course, Max & Ivan themselves.

Ringside commentary will be provided by Greg James, Sara Pascoe and Nish Kumar — because nothing says "sporting credibility" like someone shouting “Oh no!” while holding a flat white. Backstage interviews and hype will come courtesy of Olga Koch and Matthew Crosby, while the host with the most (stress) is Ivo Graham. And in a move that raises both eyebrows and expectations, Joe Lycett is now storyline CEO of Clash Of The Comics. Whether this means he’s also responsible for health and safety forms remains unconfirmed.

So what can viewers expect? Think: ludicrous entrances, exaggerated rivalries, sketch-like interludes, actual wrestling moves (mostly safe ones), and the kind of over-the-top drama that could only happen when comedians take kayfabe very seriously.

It’s part theatre, part wrestling, part sketch show — and it’s all designed to be both entertaining and slightly alarming. If it sounds mad, that’s because it is. And that’s the point.

Viewers outside the UK and Ireland can also watch it via pay-per-view, ensuring the madness doesn’t stop at the border.

So whether you’re here for the laughs or the lariats, Clash Of The Comics is shaping up to be the most spectacularly strange night of television you didn’t know you needed.

Honestly, if your favourite comedians body-slamming each other on prime time doesn’t save 2025, what will?

It’s a purr-litical movement now.

After years of being politely ignored in pitch meetings — and probably silently judged by dogs — comedian David Baddiel is finally bringing his feline crusade to television. Channel 4 has greenlit a three-part documentary series titled David Baddiel: Cat Man, in which Baddiel sets out to prove that cats aren’t just couch ornaments with emotional issues, but actually deserve serious screen time.

The show follows him as he roams across the UK, meeting cats with big personalities and humans who proudly live under their rule. Expect famous faces with even more famous cats, some feline social media influencers raking in more money than their owners, and a few segments where the cats completely ignore the cameras — as is tradition.

Baddiel isn’t just here to show us cute kittens, though. He’s on a mission to challenge the classic “crazy cat person” stereotype — including, as he puts it, the less acknowledged “mad old cat man.” He himself owns four cats, and would like everyone to know that this does not make him a recluse. At least, not entirely.

He also wants to explore the big question: why has TV always been so biased toward dogs? Dogs get whole reality shows. Cats get memes. And while memes are great, Baddiel believes it’s time cats got the respect they deserve — and he’s apparently willing to travel the country to make it happen. He’ll also delve into the mysterious workings of the feline brain: what they think, what they feel, and why they sprint across the house at 3am like ghosts are chasing them.

The show is being produced by Expectation for Channel 4, and yes, it’s backed by a pet insurance company called Everypaw — because nothing says serious cat journalism like a good pun.

According to Baddiel, this idea has been sitting in his back pocket for years. He says he’s pitched a cat show to TV execs countless times, and they always assumed he was joking. Turns out, he wasn’t. Not even a little bit. Now, with 12.5 million pet cats in the UK and nearly 30% of homes having at least one, it seems TV is finally catching up with reality — and the internet, which has been running on cat content since approximately 2006.

The producers even claim there’s a scientific reason to watch: apparently watching cats can reduce stress by up to 50%. Which means this show is technically therapy, and probably tax-deductible if you squint hard enough.

This isn’t a new phase for Baddiel, either. He’s written about his lifelong love of cats, including a heartfelt essay about how they helped him through grief, and once adopted his late father’s cat — a decision that caused a bit of drama among his other, less impressed pets.

So what’s the vibe going to be? Somewhere between affectionate tribute and light existential crisis. There’ll be awkward interviews, cats walking off mid-scene, and probably a few moments of deep philosophical pondering about the human-feline bond. It might be moving. It might be ridiculous. Hopefully both.

David Baddiel: Cat Man is coming soon to Channel 4. And honestly, if there’s one man who can get cats to sit still on camera… it’s probably still not David Baddiel. But we appreciate the effort.

Hold onto your pearls, folks. The legendary Harry Shearer — voice wizard behind The Simpsons, Spinal Tap bassist extraordinaire, and general pop culture mastermind — is writing a musical about J. Edgar Hoover. Yes, that J. Edgar Hoover: the FBI’s original secret hoarder of dirt, master of blackmail, and alleged cross-dressing mystery man.

From Simpsons to Spies: Shearer’s New Role

This isn’t some dry history lecture set to a flute solo. Nope. Shearer’s teaming up with comedy writer Tom Leopold (think Cheers and Seinfeld writing room vibes) and the composer Peter Matz to create a full-on musical comedy.

The show is called Here Comes J. Edgar! and is scheduled to debut at London’s King’s Head Theatre next summer. Because nothing says “West End” like deep FBI paranoia mixed with jazz hands.

Why J. Edgar? Because Who Doesn’t Want a Musical About a Guy Who Collected Dirt on Everyone?

The tagline says it all: “An irrepressible musical comedy about the love of power and the power of love, and what a simple black dress and a single strand of pearls can do for a guy.”

If that doesn’t scream “Broadway’s next big hit,” I don’t know what does. The musical promises to dive into Hoover’s murky legacy, including the juicy rumors about his love life and wardrobe choices. (Spoiler alert: black dresses and pearls.)

A Throwback with a Twist: The Radio Musical Roots

Here’s a fun nugget: Shearer and Leopold aren’t new to this concept. Back in 1994, they created a satirical radio musical J. Edgar! starring Kelsey Grammer as Hoover and John Goodman as his right-hand man, Clyde Tolson. NPR aired it, and it became a cult hit for those who love their history with a side of ridiculous.

But this new London version isn’t just a radio play reboot. It’s a fresh adaptation, with director Josh Seymour at the helm, ready to bring Hoover’s shadowy secrets to life — with jazz hands, probably.

The Elephant (or FBI File) in the Room: Rumors, Scandals, and Pearls

Sure, Hoover was no saint. The guy was a ruthless power player who spied on civil rights leaders and kept skeletons in closets bigger than your average Netflix true crime doc. Whether or not he actually cross-dressed or had a secret romance with Tolson is still debated by historians.

But Shearer’s betting those rumors make for great comedy — and let’s face it, comedy’s favorite place is the awkward intersection of truth, gossip, and outright speculation.

So, What’s Next?

Mark your calendars, comedy lovers. Next summer, London’s King’s Head Theatre will stage what might be the first-ever musical where blackmail, national security, and a string of pearls collide in glorious harmony.

If you’ve ever wanted to see J. Edgar Hoover tap dance through his shady past, this is your moment. And if there’s leaked sheet music or videos, you bet I’ll be first in line, FBI-style.