Michael Spicer’s razor-sharp satire No Room is back for a second series—and thank whatever god oversees the absurd theatre of politics and media, because we need it now more than ever.

For the uninitiated, No Room is a gloriously awkward mockumentary-style series that puts Spicer’s signature dry wit in a fictional PR firm where moral compromise isn’t a bug—it’s the whole operating system. Every episode sees Spicer and his team attempt to navigate the minefield of modern scandal, spin, and performative apologies with a mixture of denial, deflection, and absurd euphemism. It’s The Thick of It meets The Office, if David Brent wore a lanyard that said “Damage Limitation Unit.”

What makes the show sing is Spicer’s commitment to stillness amidst chaos. Where others would gurn or go big, he smoulders with weary disdain. The humour simmers under the surface—often in the form of a withering glance or a pause so pregnant it should qualify for maternity leave. And yet, somehow, the impact is explosive.

The second series ups the ante. The clients are more clueless. The stakes are more existential. And the team’s methods—if you can call passive-aggressive emails and reluctant hashtag campaigns “methods”—are more hilariously misguided than ever. What’s terrifying is how plausible it all feels. You can practically smell the almond flat whites and sweaty denial in every boardroom scene.

It’s a testament to Spicer’s skill as a writer and performer that he continues to skewer public life with such elegance and accuracy. In an age of overstatement, No Room succeeds by underplaying its hand—letting the comedy leak through the cracks rather than smashing the glass.

Series two doesn’t reinvent the wheel, nor should it. It doubles down on what made the first outing so sharp: a bleakly funny, brilliantly observed indictment of the PR-industrial complex and our collective tolerance for bullshit. If anything, it feels even more vital now.

Michael Spicer isn’t just making us laugh—he’s holding up a mirror. And what’s reflected back is very British, very broken, and very, very funny.

In a victory as heartwarming as a Barry Island Christmas special, Gavin & Stacey has officially been crowned Comedy of the Year. And let’s be honest, are we surprised? Not one bit! The beloved British sitcom has cemented itself as a cultural phenomenon, blending awkward family dynamics, unforgettable one-liners, and enough tea-related conversations to make the Queen jealous.

Since its debut in 2007, Gavin & Stacey has brought us some of the most iconic moments in comedy history. From Uncle Bryn’s ever-mysterious “fishing trip” with Jason to Nessa’s legendary catchphrase (“Oh, what’s occurring?”), the show has left an indelible mark on fans across generations. The chemistry between Mathew Horne’s Gavin and Joanna Page’s Stacey may be the heart of the series, but let’s face it—Smithy (James Corden) and Nessa (Ruth Jones) are the ones who truly steal the show.

The award comes as anticipation reaches fever pitch for the rumored Gavin & Stacey return, following the cliffhanger ending of the 2019 Christmas special. Will Smithy say yes to Nessa’s unexpected proposal? Will we finally find out what happened on that fishing trip? And most importantly, will Doris ever stop downing sherries before noon? These are the questions keeping Britain awake at night.

Fans have taken to social media to celebrate the well-deserved recognition, with some calling for yet another special episode (or better yet, a full season). The show's mix of sharp writing, lovable characters, and painfully relatable family antics continues to make it a staple of British comedy.

So, as we toast to Gavin & Stacey being named Comedy of the Year, let’s raise a glass (or a cup of tea) to the possibility of more belly laughs, unexpected proposals, and Uncle Bryn’s highly classified fishing trip secrets finally being revealed. Until then, there’s only one thing left to say: “Tidy!”

Renowned comedian Omid Djalili is gearing up to bring his critically acclaimed show to his hometown of Ipswich. However, the funnyman admits that performing on familiar turf comes with its own unique set of challenges. "The pressure is on," Djalili confessed, noting that local residents have heightened expectations for his performance.

In a candid interview, Djalili shared that Ipswich audiences "expect more" from him, given his roots in the area. He humorously recounted how he often tests out new material on his unimpressed postman, highlighting the everyday pressures of delivering laughs to those who know him best.

Despite the comedic jitters, Djalili remains optimistic. He has previously expressed his fondness for Ipswich, even calling it "one of the best places to live." With such high praise for his hometown, it's no wonder he feels the need to bring his A-game to the local stage.

As the anticipation builds, one thing is certain: Omid Djalili's upcoming performance in Ipswich promises to be a night filled with laughter, local pride, and perhaps a few inside jokes that only true Ipswichians will appreciate. Break a leg, Omid – your hometown crowd awaits!

Ladies and gentlemen, get ready to flick through the pages of Minx, the riotous comedy series that dares to ask: what if feminism and full-frontal male nudity could go hand in hand? After making waves in the US, this bold and brilliantly funny show is now available to binge in full in the UK, and trust me—this is one magazine worth subscribing to.

Set in the bell-bottomed, free-love world of 1970s Los Angeles, Minx follows Joyce Prigger (Ophelia Lovibond), a buttoned-up feminist writer with big ambitions but no takers for her high-minded, equality-driven magazine. That is, until she meets Doug Renetti (Jake Johnson, bringing his signature scruffy charm), a savvy adult entertainment publisher who sees an opportunity in Joyce’s vision—just with a little more… let’s say exposure.

What follows is a gloriously chaotic clash of worlds: Joyce, the staunch intellectual, and Doug, the sleazy-yet-sympathetic hustler, build Minx, the first-ever erotic magazine for women. But this isn’t just about steamy centrefolds and risqué articles—it’s a subversive, sharply written take on gender politics, power struggles, and the birth of an industry that redefined the era.

Created by Ellen Rapoport, Minx first aired in 2022, earning praise for its whip-smart humor, lavish period aesthetics, and yes, its unabashed embrace of the male form (a refreshing change in a genre historically skewed the other way). But beneath the bare chests and questionable facial hair, there’s a genuinely compelling story about ambition, compromise, and what it takes to push boundaries in an industry that’s always been a boy’s club.

For UK audiences, the wait is over—every episode is now available to stream, and whether you’re here for the comedy, the nostalgia, or the novelty of a show that treats female desire with intelligence and wit, Minx is one binge-worthy ride.

So, pour yourself a scotch, slip into something fabulous, and get ready to turn the pages of Minx—where feminism meets filth, and the laughs are as big as the hair.

Jonathan Pryce and Nick Mohammed to Star in Thriller Sleeping Lions

Acclaimed actor Jonathan Pryce and comedy powerhouse Nick Mohammed are set to share the screen in the upcoming psychological thriller Sleeping Lions. The film, described as a gripping blend of suspense and dark humor, marks a unique pairing of the two British talents, each bringing distinct energy to what promises to be a compelling cinematic experience.

Pryce, a revered veteran of stage and screen, is best known for his powerful performances in The Two Popes, Game of Thrones, and Brazil. His ability to command tension with the subtlest of gestures makes him a natural fit for the film’s eerie atmosphere. Mohammed, meanwhile, has skyrocketed in popularity thanks to his Emmy-nominated performance as Nate in Ted Lasso and his self-penned Intelligence. While primarily known for his comedic chops, Mohammed’s recent work has revealed a depth that makes his transition into a psychological thriller all the more intriguing.

Plot details for Sleeping Lions remain under wraps, but early reports hint at a narrative steeped in paranoia, deception, and the fragile boundaries between reality and illusion. The film is being helmed by an up-and-coming director known for their meticulous approach to tension-building, a choice that suggests an intelligent and unsettling cinematic experience.

Fans of both actors are eager to see how Pryce’s gravitas and Mohammed’s nuanced expressiveness play off one another. If Sleeping Lions delivers on its premise, it could offer a refreshing shake-up in both actors’ careers—proving that when it comes to storytelling, blending drama and comedy can be a potent formula.

More details, including a release date, are expected to be announced soon.