It feels like just yesterday that The Traitors had the nation gripped, as cloaks, daggers, and Claudia Winkleman’s fringe took centre stage in one of the most addictive reality game shows in recent memory. Among the chaos, deception, and strategy, one woman emerged victorious: Hannah Byczkowski.

But now that the dust has settled and the traitors have been unmasked—what actually happened to Hannah Byczkowski after the win? Let’s catch up.

From Care Worker to Cult Favourite

Before The Traitors, Hannah was far from a household name. Working in care assessments, she had dreams of making it in comedy—but like many, life and bills came first. That all changed when she applied for the BBC show on a whim. When her workplace wouldn’t approve her time off to film, she made a bold choice: she quit.

That gamble paid off in full. Not only did she survive the intense mind games of the Scottish Highlands, but she also left the show with a share of the £101,050 prize and a loyal fanbase.

Life After The TraitorS

With a healthy cash buffer and the momentum of a national spotlight, Hannah wasted no time. She jumped straight into what she truly loved: stand-up comedy. The win didn’t just give her money—it gave her time and confidence to pursue performing full-time.

She’s since been performing across the UK, bringing her unique mix of humour and heart to the stage. And if you’ve seen her on The Traitors, you’ll know her comic timing is razor-sharp.

“I bought a car with the money so I could get to gigs. That alone has made such a difference,” Hannah said in an interview after the show.

Paranormal Podcasts and Ghostly Gigs

Not content with just stand-up, Hannah also co-hosts a comedy paranormal podcast called Ghost Huns with fellow comic Suzie Preece. Think ghost stories, weird history, haunted dolls—all told with wit, sarcasm, and a healthy dose of disbelief.

It’s a hit. The podcast has racked up over a million downloads and even led to a live UK tour. Turns out, ghost stories go great with giggles.

TV Appearances and More

Hannah’s charisma didn’t go unnoticed. Since her win, she’s popped up on TV panels and game shows, including The Weakest Link. There are whispers she may even have more TV projects in the pipeline.

Fame, Feelings, and Staying Grounded

Despite the fame, Hannah has remained refreshingly grounded. She’s been candid about the impact the show had on her emotionally—particularly coming out of a breakup just before filming.

“I genuinely didn’t think I had a chance,” she admitted in interviews. “I went in with nothing to lose, and I came out with friends, money, and a new direction.”

Her journey on The Traitors wasn’t just about spotting traitors—it was about learning to trust herself.

So… What’s Next for Hannah?

Right now, she’s building something lasting. The reality TV buzz may fade, but Hannah is using it as a launchpad rather than a one-hit wonder. Between comedy gigs, podcasting success, and continued public interest, she’s carving out a space for herself in UK entertainment.

And honestly? She’s just getting started.

Final Thoughts

Hannah Byczkowski's post-Traitors story isn’t just about winning money—it's about reclaiming your path. From walking away from a stable job to chasing stand-up dreams and building a cult podcast following, she’s proof that taking a risk can pay off.

So, if you’re wondering what happened to Hannah Byczkowski—she didn’t disappear. She’s just everywhere else now: on stage, in your headphones, and making people laugh across the UK.

Keep an eye on her. She’s one of the rare reality TV winners who seems to be in it for the long game.

If your idea of a good night out is catching a gig at a sweaty venue and then talking about it over craft beers until 2 a.m., this is the TV news you didn’t know you were waiting for.

Sky has just announced Force & Majeure, a new original series starring none other than Matt Berry and Natasha Lyonne—two cult-favorite icons who’ve mastered the art of making weird feel wildly cool. The show promises espionage, existential weirdness, and off-kilter humor—basically, the screen version of that band you love that no one else has heard of (yet).

The Vibe: Strange, Smart, and Slightly Unhinged

We don’t have all the plot details yet—Sky’s playing it close to the chest—but here’s what’s been teased: Force & Majeure will be a genre-blending, darkly comic dive into the lives of two misfit operatives entangled in a plot that may or may not involve international espionage, metaphysical confusion, and, knowing these two, a healthy dose of existential dread served with a wink.

Think Withnail & I meets Russian Doll, with a bit of Twin Peaks thrown in for good measure.

The Cast: A Match Made in Cult Comedy Heaven

Matt Berry (Toast of London, What We Do in the Shadows) is the king of theatrical absurdity—equal parts lounge singer, Shakespearean ham, and reluctant vampire. He’s got a voice that could sell out a venue on its own, and a sense of timing that turns even the driest line into gold.

Natasha Lyonne (Russian Doll, Poker Face) is his spiritual cousin across the pond—gravel-voiced, hyper-intelligent, and totally unfazed by the chaos of the world around her. She’s the type of performer who could read a bus schedule and make it feel like a jazz solo.

Together, they’re not just an odd couple—they’re a chaotic pairing that somehow just works. If you’ve ever been to a show where two totally different acts shared a bill and ended up blowing your mind, that’s the energy.

Behind the Scenes: Creative Control and Killer Collaborations

Berry and Lyonne aren’t just starring—they’re producing too. That means Force & Majeure won’t be watered down for mass appeal. It’s shaping up to be a passion project from two people who know exactly what makes comedy sing—and how to make it hit like a late-night encore.

Sky Studios is backing it, alongside Lyonne’s Animal Pictures and Berry’s own production banner. A stacked ensemble cast and a slate of guest stars from the UK and US comedy circuits are expected to drop in throughout the season—think the TV equivalent of a secret set from your favorite underground act.

When Can You Watch It?

Sky has penciled in a 2026 release across Sky Atlantic and NOW in the UK. Word is, a teaser trailer might land sometime early next year, possibly at SXSW or another festival where film and music types tend to mingle.

International release details are still under wraps, but with NBCUniversal involved, expect it to land on a major streaming platform stateside.

Why This Matters

Let’s be real—most comedy on TV right now feels like algorithmic white noise. Force & Majeure sounds like it’ll cut through the static. It’s weird, risky, and being made by two of the most distinctive voices in modern comedy. For fans of smart, surreal, deeply original storytelling—this one should be on your radar.

If you like your humor like you like your music—unpredictable, slightly left-of-center, and way cooler than what’s on the charts—Force & Majeure might just be your next obsession.

British comedian John Kearns has officially announced his highly anticipated 2026 tour, titled Tilting At Windmills—a sprawling 55+ date run that will see the idiosyncratic comic bring his uniquely surreal wit to stages across the UK and beyond.

The announcement, made earlier this morning via Kearns’ social media and official website, has already sparked excitement among fans and comedy lovers alike. Known for his philosophical bent, absurdist humour, and signature look—wig and false teeth included—Kearns’ upcoming tour promises to deliver the kind of deeply thoughtful and disarmingly funny material that has become his trademark.

A Quixotic Undertaking

The tour title, Tilting At Windmills, is a nod to the famous image from Don Quixote, where the deluded knight charges at windmills believing them to be giants. It’s a fitting metaphor for Kearns’ style: tackling life’s big questions with the tools of clownishness and melancholy, poking at the absurdity of existence while dressed for the wrong century.

Kearns, the only comedian to have won both the Best Newcomer (2013) and Best Show (2014) at the Edinburgh Comedy Awards in consecutive years, has built a cult following for his intimate, thoughtful, and emotionally resonant stand-up. Unlike many of his peers, his shows don’t rely on punchline-per-minute metrics; instead, they build gradually, weaving stories and observations into something deeply personal and profoundly funny.

“It’s about trying. Failing, mostly. But still trying.”

Speaking about the tour, Kearns said:

“It’s about trying. Failing, mostly. But still trying. There’s something noble and daft about it. So I thought, what better way to mark that than by getting on a train every night for six months and telling strangers about it?”

The 2026 tour kicks off in January in Newcastle, winding its way through major cities like Manchester, Glasgow, Bristol, and London, before culminating in a series of dates in Ireland and continental Europe. A few surprise “work-in-progress” gigs are also rumoured to be on the cards for late 2025.

Fans React

The announcement was met with enthusiasm across social media, with fans praising Kearns for continuing to carve his own path in a comedy world increasingly dominated by algorithm-friendly soundbites.

“No one else does what Kearns does. He’s not trying to go viral—he’s trying to say something true,” one fan commented on X (formerly Twitter).

Critics have also expressed anticipation, with several noting that Tilting At Windmills could mark a new high point in Kearns’ already acclaimed body of work.

Tickets and Dates

Tickets for Tilting At Windmills go on general sale this Friday at 10am, with pre-sales available to newsletter subscribers a day earlier. Given Kearns’ loyal fanbase and the relatively intimate venues he tends to favour, early booking is strongly advised.

Full tour dates and ticketing information are available now at johnkearnscomedy.com.

Don’t miss the chance to see one of the UK’s most original comedy voices on his most ambitious tour yet.

In a delightful turn of events, BAFTA-winning comedian, writer, and actress Sophie Willan has been announced as the new host of The Great British Sewing Bee. Known for her razor-sharp wit and endearing charm, Willan steps into the spotlight to guide Britain’s best amateur stitchers through challenges of creativity, craftsmanship, and couture chaos.

The BBC's long-running competition series has become a staple of feel-good television, offering viewers a comforting blend of fashion, heartwarming stories, and friendly competition. Now in its latest chapter, the addition of Willan marks an exciting evolution for the show — bringing a fresh voice and a spark of humor that’s bound to sew even more joy into the fabric of the series.

A Natural Fit for a National Favourite

Sophie Willan might be best known for her hit comedy-drama Alma's Not Normal, which won critical acclaim for its bold storytelling and heartfelt humour, but she’s no stranger to connecting with everyday people. Her down-to-earth Northern roots and authentic storytelling make her a natural fit for a show that celebrates creativity and community.

While she may not have a background in sewing (yet!), Willan’s quirky charisma and ability to put people at ease promises to bring a warm, inclusive energy to the sewing room. Think less “fashion runway elite” and more “your hilarious best friend cheering you on while you hem a sleeve.”

Passing the Thread

Willan follows in the footsteps of fellow comedians Joe Lycett and Sara Pascoe, who each brought their own unique flair to the presenter’s role. Fans of the show have come to appreciate the delicate balance of comedy and compassion that a good host brings — and with Sophie at the helm, that legacy looks set to continue.

In her own words about the new role, Willan shared:

"I’m absolutely thrilled to be joining such a beloved show. I can’t wait to get into the sewing room and meet this year’s brilliant bunch of contestants. I may not be able to thread a needle myself, but I’ll be bringing plenty of enthusiasm, encouragement, and maybe a few laughs!"

What to Expect This Season

With Sophie Willan leading the way, this season promises a vibrant mix of signature challenges, stunning transformations, and of course, the all-important made-to-measure rounds. The judging panel remains in place, with Patrick Grant and Esme Young returning to offer their seasoned critiques — expect the usual mix of raised eyebrows, heartfelt praise, and the occasional savage quip.

As always, the show will spotlight the personal stories of its contestants, many of whom sew not just for style, but for identity, healing, and expression. It’s this heartfelt storytelling — now paired with Willan’s empathetic humour — that keeps viewers coming back season after season.

Stitching Together Old and New

At its core, The Great British Sewing Bee is a celebration of craftsmanship, individuality, and the joy of making something by hand. In a world where fast fashion dominates, the show continues to champion slow, sustainable, and soulful creativity.

With Sophie Willan stepping in as host, the series looks poised to continue its tradition of warmth and wit — with just a little extra sparkle (and maybe some sequins).

So dust off your bobbins and get ready: this season of The Great British Sewing Bee is going to be stitched with laughter, layered with talent, and hemmed with heart.

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Are you excited about Sophie Willan joining Sewing Bee? Let us know your thoughts in the comments — and don’t forget to tune in when the new season premieres! 🧵✂️

In a world increasingly dominated by absurd headlines, one phrase stood out recently like a werewolf in a philosophy lecture: "Stewart Lee vs The Man-Wulf." No, it's not the name of a lost Hammer Horror film, nor a secret Glastonbury late-night set. It's something far more terrifying—and far more British.

Let’s break it down.

Who is Stewart Lee?

For the uninitiated, Stewart Lee is one of the UK’s most cerebral and self-aware stand-up comedians. He is equal parts performance artist, satirist, and reluctant celebrity. His sets are known for deconstructing the mechanics of comedy, mocking audience expectations, and eviscerating modern political discourse with the weary sarcasm of a man who has read too many Guardian op-eds.

To put it another way: if Stewart Lee were a Dungeons & Dragons character, he’d be a Level 12 Irony Mage with high INT and low patience for hecklers.

And the Man-Wulf?

Ah, yes. The Man-Wulf. Not quite man, not quite wolf, and possibly a tax-dodging landlord from the Home Counties. Reports are murky.

The Man-Wulf appears to be a grotesque hybrid of tabloid outrage, neoliberal policy, and unwashed masculinity. He prowls after dark, preaching the gospel of “common sense” politics while growling about “woke culture” and cancelations that never really happened. Picture Jacob Rees-Mogg if he were bitten by Jeremy Clarkson under a full moon.

The Man-Wulf has no real ideology—only vibes, mostly bad ones.

The Battle

“Stewart Lee vs The Man-Wulf” isn't so much a physical confrontation as it is a cultural one. Imagine Lee stepping onto a fog-shrouded stage in an abandoned working men’s club, dressed in an Oxfam suit, armed only with a microphone and a deep disdain for Nigel Farage. Across from him, emerging from the shadows, is The Man-Wulf—clad in a leather jacket, holding a pint of Stella, barking on about how “you can’t say anything anymore.”

The crowd is split. Some came for punchlines. Others came for blood.

Lee circles his opponent slowly, beginning with a slow, looping monologue about the nature of populism as performance. He weaponises irony. He mocks the mockery. He even critiques his own critique in a dazzling rhetorical backflip that leaves half the audience confused and the other half in tears of laughter.

The Man-Wulf responds by howling about “the silent majority” and misquoting Orwell.

The Subtext

Of course, “Stewart Lee vs The Man-Wulf” is not a literal battle—though one could argue it's as epic as any Greek myth, only with more references to Brexit and fewer gods with animal heads. It’s the eternal struggle between reasoned critique and reactionary noise; between thought and impulse; between a comedian who knows exactly what he’s doing and a creature who has never heard of subtext.

Lee, in many ways, is the anti-Man-Wulf: where the Man-Wulf bellows, Lee muses; where the Wulf appeals to instinct, Lee appeals to intellect (and then undermines it just to make sure you’re paying attention).

The Outcome?

The battle ends not with a knockout but with a shrug. Lee delivers a final deadpan monologue about how this entire spectacle is ultimately meaningless—just another theatre of distractions while the planet burns and billionaires colonise the moon.

The Man-Wulf growls something about immigrants and lumbers off into the mist, ready to guest host GB News.

Final Thoughts

“Stewart Lee vs The Man-Wulf” is more than a headline—it’s a symbol of where we are now. Comedy vs outrage. Nuance vs noise. Thought vs teeth.

And as the curtain falls, the audience—half laughing, half howling—can’t decide if they've just witnessed a stand-up set, a political allegory, or the weirdest episode of Doctor Who never made.

Whatever it was, it was very Stewart Lee.